Talk:The Casagrandes/@comment-34974330-20191216193221/@comment-38483350-20191229014800

Frankly, I'm flattered you'd mention me! However, I have to me modest: what made you think of me here? Can't really comment here, however, because I've never really sat down and watched this or "The Loud House" and can't comment on its sound design. However, if they're using overused sounds from PE Vol. 1 and Series 6000... yikes. And that's coming from somebody who loves the duck quacks off of the former.

I have seen bits and pieces of the latter, though, and although they do use "cartoony" sounds often (usually ones that I imagine the creatives at Boom Box Post created from what I've seen), I think it'd be nice to see my boy Jeff Hutchins working on this series or TLH. I'd love to see what he'd bring to the table. I admire the boy's creativity and I imagine he wouldn't disappoint here. If only they decided to use Sound Rebels for the two shows...

If cartoon sounds would fit both shows more, then I agree! It might benefit from that.

Unrelated, but if Jeff does the sound design on that upcoming Nicktoon "It's Pony," then I'll only watch it for Hutchins.

And about cartoon sounds, I like much of the H-B and Cartoon Trax Vol. 1 sounds (and those [I suspect) original effects used here don't seem to bad], I'd like to see some of the more obscure and lesser-known SFX from those libraries get used sometime. I'd make a list of what I think of as "underused" sounds from both libraries, but that's better suited for a blog post, methinks.

Also, personally I'd like to see at least a small amount of Cartoon Trax Vol. 1/Tom Clack and Rocky and Bullwinkle sounds used in here, or in "Pony." Those two libraries are painfully underused IMHO.