Thread:BigIdeas70258/@comment-34974330-20191117071512/@comment-26104212-20191117073238

So far I heard only a few of their projects, namely Clifford the Big Red Dog and Jimmy Neutron. I think that they're a fairly popular post-production sound service, and Atlas Oceanic's Rob McIntyre (recently founded Sound Rebels) also does the sound design for Frederator projects at Salami. I'm not sure if Salami did the sound design on Chris Reccardi's Meddlen Meadows, but it would make sense as the short's sound design is pretty stylized and Salami worked on Reccardi's The Modifyers.

I noticed that falling is occasionally accented by "Bottle Rocket Picco PE98501" (generic single firework launching whistle) in their projects, namely Jimmy Neutron. That works pretty well and sounds funny too, but I don't like "Sky Rocket Loud High" which they tend to use, and I feel that it's not fitting for an E/I-type show aimed toward very young children, like Clifford (not soley due to the shrillness of the whistle, but I ask another reason in question: is this aural gag not based on falling characters/props sounding like bombs or motars falling due to such artillery of World Wars I & II being known for making the air whistling like that?)

There's a new Clifford the Big Red Dog TV Series coming to PBS next month; it'd be nice if Salami worked on it as they did before.

Once I listen to more Salami projects on my own time, I'll talk more about this.